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Oct. 8, 2024

UncleDad's Mix and Mingle Episode 2: 30 Years of Dru Deep

UncleDad's Mix and Mingle Episode 2:  30 Years of Dru Deep
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UncleDad Talks

Hey, what up, everybody! Welcome to the latest episode of Uncle Dad's Mix and Mingle! It's your favorite Uncle Dad, hanging out with my good friend, Dru Deep. We're here to celebrate something special—30 years of Dru Deep spinning tracks and making us groove like there's no tomorrow!

In this episode, we dive into the journey of Dru Deep, who fell in love with DJing after watching the iconic movie, Saturday Night Fever. From collecting records as a kid to his first rave experience, Drew's story is a fascinating ride through the evolution of music and DJ culture. Can you dig it? I knew that you could!

We'll chat about his early days, the transition from vinyl to CDJs, and the importance of album art in the pre-digital era. Dru shares his journey from being a punk rock skater kid to becoming a household name in the house music scene. It's a story filled with passion, dedication, and a whole lot of dancing!

And hey, we didn't forget the music! Drew brings us an exclusive mix that'll have you dancing in your seat. It's a little bit of everything—house, disco, funk, and more. Trust me, you won't want to miss it!

Plus, we play a fun trivia game about Prince, one of Drew's musical inspirations. Will he win a prize for a lucky listener? You'll have to tune in to find out!

Before we wrap up, Dru shares some exciting news about his upcoming Halloween gig in Nevada City. It's going to be a night to remember, and he's got a special offer for those who mention UncleDad at the event!

So, get ready to groove and join us in celebrating 30 incredible years of Dru Deep. Follow us on Instagram at @UncleDadTalks and stay tuned for more amazing stories and mixes. Until next time, keep dancing and stay awesome!

Chapters

00:00 - Introduction to Uncle Dad’s Mix and Mingle

11:58 - The Mix and Music Vibes

42:49 - Transition to Modern Era and Gigs

47:44 - Celebrating Drew Deep’s 30 Years

Transcript
WEBVTT

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Hey, what up, everybody? Uncle Dad in the house or on the roof,

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if you will, because the roof is on fire.

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I am hanging out with a good friend of mine and a DJ who's been in the business for a long time.

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This is Uncle Dad's Mix and Mingle. That's right. Episode two of Mix and Mingle.

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Thank you guys for the support. It seems like this is doing very well.

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Probably because Mike's not in it. No, that's definitely not true.

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Because if Mike was in it, we'd be doing much better.

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But I'm so thankful to have this guest. And I'm so thankful for you guys to be listening.

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And, of course, make sure you follow us on Instagram at Uncle Dad Talks.

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To find out more about all this great content we've got going on right now.

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We have so many shows right now, my guests, that won't be named yet.

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Just so you know, that are 100% free. No paywall, no nothing.

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Isn't that amazing, unnamed guests? That is splendid. Exactly.

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So that voice, those sexy dulcet tones you just heard, come from the one and only Drew Deep.

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Hey, hey, hey, hey. How are you feeling, man? You and I have known each other for a while now,

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and one of the things that really connected to us i think was you talk of music

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and specifically talk of djing and house music so let's just kind of start back

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from the beginning what made you interested in djing oh man honestly,

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i wanted to start djing since i seen the saturday night fever movie.

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No because that was like that the soundtrack alone was like the side story adhd

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thing that was like the first like record my parents bought me outside of like

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disney and whatever else but But that soundtrack was always in the house playing,

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but also my parents and my brother and whatever watch it.

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But the DJ and how he just shut down John Travolta and everything.

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Look at her. She's dancing.

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And I don't know. It just seemed dope. You played with me and all the music.

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Everyone was dancing. And you were the man in charge.

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What was your favorite line from Saturday Night Live?

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Oh, Saturday Night Fever? Saturday Night Fever. Sorry. Saturday Night Fever. Sorry. Oh.

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Can you dig it? I knew that you could. My favorite still will always be,

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hey, that's my pussy finger.

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That's always my favorite. So that movie, the aesthetic of it got you interested in DJing.

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So at what point did you go, all right, I want to actually do this now?

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Well, so my parents had me collecting records since I was five years old, right?

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And once the original hip-hop and old movies like Brankin and stuff were coming

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out, I definitely got interested.

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But I had no concept of anything, and definitely parents weren't going to buy

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me my own turntable outside of the Winnie the Pooh turntable I had.

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Right and uh but wasn't until high school and i

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was like very much into hip-hop and and

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me and my friend like i spent the night at his house and brought my dad's turntable

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over there but didn't have a concept of we need a mixer and we like we're trying

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to hook it up to like the receiver and just like how come we can't do two at

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one time but and that was like always a thought and i said i was collecting

00:03:00.580 --> 00:03:05.320
always but it was it's funny because 30 years ago actually last month was like

00:03:05.400 --> 00:03:09.040
my first rave that i went to in 94 was a couple of friends and

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i was like this little punk rock skater kid again it's

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funny because i had like these fucking shoes that said fucking off that i

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was like hardcore had like green hair and like on these converse you

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had green hair yeah oh well it was originally blue but

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it turned green because i went swimming and then the but yeah

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like we went to this party and like i got

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turned out man like it was funny because like

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said i was this little punk rock skater kid took acid for the first time

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and people were giving hugs and some

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chick like love on my like arm with the highlighter was walking through walking

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through a black light and just like dude why am i so angry yeah like so i walk

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around and just like dude it's like just digging it just digging the vibe and

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like the next day me and my buddy

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like we went to solid grooves and bought records in the booty bin right.

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Old you know san jose like store off the like bascom next

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to the pink pool and like yeah so they had like

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booty bin records that were like you know 50 cents to like you

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know an up for those who don't know what is a booty bin

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record it's just the mark down

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you know maybe it had a scratch on one track or something like that or just

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you know like it just to overlook record or use record or something like that

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maybe a promo even like and but you know we had like five or ten bucks and And

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we're just trying to get like enough records just to like, so we can just learn to beat match.

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And after that, it was, oh man, I used to save my money like every single week

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for like for food. My parents used to give me for like at high school.

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And on top of this, I would sling on the microwave food that they would give me.

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Cause I had my second class was the graphics class. Right. And so like a bunch

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of stoners and everything.

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And I would sling like, you know, food cause it was right before break and,

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you know, people didn't eat.

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So like i would save all that money and buy records at

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the end of the week when they come out on thursday i love that and for those

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who don't know we're talking in an era where computers weren't the thing yet

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really right like oh yeah there wasn't a way to really like get your music when

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you talk about like that impact of like saving your money but like you know

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we have we have somewhat of a younger audience too and i think like you guys

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don't understand like how.

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Important that was because that was the only way you could get music right i

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mean there was like maybe two or three record stores around here like

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star records and solid grooves even tower records

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well not there anymore but like before like uh rasputin

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was around here you know like or even like what's it

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called uh street like they had stuff but yeah i

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mean it wasn't like a huge selection but and actually

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at solid grooves you could actually listen to you know the records there

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you know like otherwise there was no youtube or anything to like sometimes

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if you just seen an artist like you just like you know i'm gonna give

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it a chance and just buy it you know and everything was based like

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even like movies right there was based on the on concept of

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like the album art right yeah the album art how to catch your attention and

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then you're like oh this looks cool right like or who's that

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guy or whatever right so i love that you say that so when you finally get into

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that world and you get dancing and you get into buying records and stuff when

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does it you know for a lack of better term when does drew deep put the first

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needle to the groove and like begins his first set live in front of an audience.

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Oh man, I think that was South First Billiards, 420 South First Street.

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Now it's, what's it called? It's Guildhouse, right? Yeah, exactly.

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Yeah, and it's funny because I ended up working there like years later,

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but I had some friends, again, met from like, you know, the old rave days and

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like she was like the head bartender there.

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And so like random, like Friday night, she would hook us up.

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I was still, like, learning, right? Like, but it was, like, learning on turntables,

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learning on CDJs, you know?

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And not to, like, you know, downplay them, but, like, it's a lot easier to play

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than that than, you know, on turntables. I mean... Well, it's like three levels, right?

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Like, the vinyl records era, the CDJ era, and then you have,

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like, you know, the controller era, right?

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Controller era, let's be honest, it is, you know, technology changed.

00:07:01.746 --> 00:07:03.246
It made it fast, easier, and whatever, right?

00:07:03.726 --> 00:07:06.466
CDJ was, like, in between. But, like, the vinyl days, you're right.

00:07:06.466 --> 00:07:10.026
It's all here it's all mental right yeah no totally yeah

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have an account you know yeah no and like

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i mean and know your records like you had to know your music i

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mean yeah you can like look at a vinyl record and like

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see where the break is and everything but like you know

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you're doing that in real time you don't have like a button to push

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to like oops let me loop this real quick because i'm running out of

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time like yeah but like my real besides

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actually just playing out in public um my first like real

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gig in a real club or even a small club i mean it was

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the top on lower hate street now it's called

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underground sf but back really oh yeah

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dude i was i was barely like 19 years old

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wow so my buddy dimitri i don't

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know if you've seen the movie groove we talked about it i

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haven't seen it though yeah so he's the guy holding the disco ball and everything

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so like he's one of like my old like friends

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i mean we he's the guy one of the friends i went to that first rave

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with like he's the one that like me and him went to the record

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store and like bought records together and kind of learned together but he

00:08:06.766 --> 00:08:11.546
also like after high school he moved up there and i mean like he wasn't legal

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you know either like and he got himself a residency on mondays called moving

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on up and then he would bring me in and like just throw me into you know the

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pack and just like just do it you know i was dude i was so scared when i first started playing.

00:08:24.506 --> 00:08:28.266
I would be pounding drinks right and right before i had to get on like five

00:08:28.266 --> 00:08:31.566
before i would go to the restroom and throw up every single time.

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Like it wasn't even a big party or club, but I would just like had that stage

00:08:34.966 --> 00:08:38.786
fright and it would like, you know, think that alcohol was helping me get over

00:08:38.786 --> 00:08:41.186
it, get some liquid courage, but no, I would toss every time.

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Wow you know what i'm interested then so

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that's such a great story it's actually almost cinematic right

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like i can i can see it happening and see like all right it's time to go and

00:08:51.168 --> 00:08:54.268
like you whatever so when you did the set do you

00:08:54.268 --> 00:08:57.128
well first of all what you what i don't mean to date you but what year what year was

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that roughly like 97 97 okay so we're kind

00:09:00.068 --> 00:09:02.748
of going in the era of cg cdj's yet

00:09:02.748 --> 00:09:05.688
right it's if anything it was like the early

00:09:05.688 --> 00:09:08.348
early i mean you would i mean yeah if i

00:09:08.348 --> 00:09:11.488
did see somebody would bring like their oh god well

00:09:11.488 --> 00:09:14.408
because pioneer i don't think they were making stuff back then like

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i mean i i have their second technical mix or what

00:09:17.328 --> 00:09:20.168
cdj but like that's that's another story down the line

00:09:20.168 --> 00:09:23.068
but but yeah no i mean like it was very rare like

00:09:23.068 --> 00:09:26.268
i would say maybe like around more like 98 99 is that's

00:09:26.268 --> 00:09:29.048
when you started more so at that.

00:09:29.048 --> 00:09:31.748
Point do you call yourself drew deep or do

00:09:31.748 --> 00:09:34.508
you are you figuring that out still no you know it's

00:09:34.508 --> 00:09:37.428
funny because it goes back to Dimitri like I was

00:09:37.428 --> 00:09:41.028
just the people just called me Drew and then

00:09:41.028 --> 00:09:43.928
like I don't know I had a particular sound right like

00:09:43.928 --> 00:09:47.468
when me and my buddy Dimitri like we were like going through solid and going

00:09:47.468 --> 00:09:51.008
through tracks right and I mean like you know they'd have labels Chicago house

00:09:51.008 --> 00:09:56.308
you know Detroit techno you know like New York like and you know I don't know

00:09:56.308 --> 00:09:59.528
like I mean I seen that but I would just you know grab a stack and just listen

00:09:59.528 --> 00:10:03.208
and so like I guess I had a tendency to like go on the

00:10:03.248 --> 00:10:05.908
deep side and so I was playing like a lot of deep house at that

00:10:05.908 --> 00:10:08.728
time and so my buddy Dimitri just started

00:10:08.728 --> 00:10:11.488
calling me drew deep and it just stuck and he's yeah kind

00:10:11.488 --> 00:10:14.448
of the reason I you know be called that since then I love

00:10:14.448 --> 00:10:18.008
that man and that's like that's awesome because like you know there's nothing

00:10:18.008 --> 00:10:21.728
better when you get like your your your name kind of given to you like you know

00:10:21.728 --> 00:10:24.788
it's like a like uncle dad comes from a friend of mine right that he called

00:10:24.788 --> 00:10:27.768
me that now it's a fucking franchise right it's just like with you right you

00:10:27.768 --> 00:10:31.448
have that you created your your persona based on something that was given by

00:10:31.448 --> 00:10:32.328
a friend I think it's beautiful,

00:10:33.375 --> 00:10:36.835
We do got to get to our mix here. Do you want to tell us a little bit about

00:10:36.835 --> 00:10:39.775
the mix, your thoughts and stuff that you brought for us?

00:10:41.395 --> 00:10:45.315
It's a little bit of everything. Like, no, I want to play just house because,

00:10:45.375 --> 00:10:50.555
I mean, that's mainly what I get booked for, but I try to play beyond just that type of genre.

00:10:50.755 --> 00:10:54.035
You know, in the 80s, before house was even, like, coined a name,

00:10:54.115 --> 00:10:55.275
you know, it was just dance music.

00:10:55.355 --> 00:10:58.755
You get things from industrial to, you know, disco,

00:10:58.935 --> 00:11:02.355
you know, or just, you know, some, like, you know, some funk,

00:11:02.455 --> 00:11:05.895
you know, and like it you know from everything from time to prince or you know

00:11:05.895 --> 00:11:10.675
whatever like it was a whole just mixed genre of just just sad just dance music

00:11:10.675 --> 00:11:14.415
you know it's just long as it's the same you know bpm i mean you can work it

00:11:14.415 --> 00:11:16.875
if you know how to do it like amen brother.

00:11:19.375 --> 00:11:22.155
But uh all right man so i'm excited to play this i

00:11:22.155 --> 00:11:25.115
hope you're excited for the audience to hear it we'll be right back after

00:11:25.115 --> 00:11:28.075
about 20 minutes of the mix and then we'll finish up our interview here

00:11:28.075 --> 00:11:31.435
but before we go where can our audience learn

00:11:31.435 --> 00:11:34.815
more about you um you can find me on instagram i'm

00:11:34.815 --> 00:11:38.635
on under drew deep that's d-r-u-d-e-e-p on facebook

00:11:38.635 --> 00:11:42.595
too but i really don't really engage in that too much as much as i should but

00:11:42.595 --> 00:11:46.935
also on mondays i do a radio show on stanford i've been there for god it's like

00:11:46.935 --> 00:11:54.835
my 15 16 year now and that's right now noon to 3 p.m 90.1 kzsu stanford If you're online,

00:11:55.195 --> 00:11:57.575
you can go on to kzstoolive.stanford.edu.

00:11:58.355 --> 00:12:02.415
Awesome. Go check them out. All right, everybody, let's get the mingle part,

00:12:02.555 --> 00:12:05.875
or sorry, the mix part going, and we'll get back to mingling after this.

00:12:06.320 --> 00:31:17.840
Music.

00:31:19.217 --> 00:31:23.997
Wow. I can feel my whole body dancing. And let me tell you, man,

00:31:24.157 --> 00:31:27.197
I am ready to groove to the break of dawn.

00:31:27.677 --> 00:31:30.417
Man, Drew, that was absolutely amazing. Thank you for that.

00:31:31.057 --> 00:31:36.237
I'm curious, though, something that I heard in there, and I'm assuming I'm right

00:31:36.237 --> 00:31:37.797
in this because I know I heard it.

00:31:38.117 --> 00:31:40.337
There's some Prince in there, correct? Always.

00:31:41.037 --> 00:31:44.597
So one of the other reasons why you and I got along very well is because we

00:31:44.597 --> 00:31:46.417
both have an affinity for Prince.

00:31:47.057 --> 00:31:50.537
And we're going to play a game about Prince. Yes, I was hoping.

00:31:51.757 --> 00:31:54.797
So, you know, on my shows, I usually do some fun games on here and whatnot.

00:31:54.977 --> 00:31:57.077
But we don't play for each other. We play for our audience.

00:31:57.377 --> 00:32:01.717
So if you get five questions right, a random listener will get a prize.

00:32:01.897 --> 00:32:03.157
Now I'm going to feel bad if I fuck.

00:32:03.617 --> 00:32:08.677
So just so you know, my last guest, shout out to Laser Tears, she failed. Yeah.

00:32:09.197 --> 00:32:12.757
Did you listen? Did you, were you shocked? I'm sure you knew all the songs, huh?

00:32:13.157 --> 00:32:17.737
You know, no, there was like, I think one I didn't know, but the rest of them,

00:32:17.757 --> 00:32:21.217
I was like, yeah, yeah, yeah. But to be fair, she's a little bit younger.

00:32:21.337 --> 00:32:25.457
No, no, that was actually pretty good for, for not being as old as me. Yeah, right.

00:32:26.757 --> 00:32:30.897
All right, here we go. If you get five questions right, a lucky listener will

00:32:30.897 --> 00:32:34.077
win and you kick it off being the first one. So here we go.

00:32:34.497 --> 00:32:37.677
We'll keep it easy. Are you ready? What's Prince's real name?

00:32:38.577 --> 00:32:43.177
Oh my God. God, Rogers Nelson, Prince Rogers Nelson? Exactly,

00:32:43.317 --> 00:32:45.597
it's Prince. That's what I thought you were going to say, just Prince.

00:32:46.917 --> 00:32:53.817
All right, that's one. Good job. All right, here we go. In 1987, who sued Prince?

00:32:54.817 --> 00:32:58.177
Oh, his record company. No. Oh, 87.

00:33:00.204 --> 00:33:03.924
Ooh, wait a minute. I'll give you a hint. It's somebody related.

00:33:04.524 --> 00:33:09.304
His dad? His sister. Damn. All right, that's fine. That's fine. You got that wrong.

00:33:09.464 --> 00:33:14.224
In 1987, Prince's half-sister, Lorna Nelson, sued him, claiming that she had

00:33:14.224 --> 00:33:19.044
written the lyrics to You Got the Look, a song from Sign of the Times that featured

00:33:19.044 --> 00:33:20.304
pop artist Sheena Easton.

00:33:20.364 --> 00:33:23.904
In 1989, the court sided with Prince. Do you remember that whole thing?

00:33:24.584 --> 00:33:29.504
I vaguely remember, yeah. Who remembers Prince's sister? Nobody. Yeah, I know. Exactly.

00:33:30.224 --> 00:33:32.544
All right, here we go. He's making money now, though. Yeah, yeah.

00:33:33.404 --> 00:33:37.144
All right, here we go. I have another good one for you. So how many you got

00:33:37.144 --> 00:33:38.724
right so far? One? All right.

00:33:40.404 --> 00:33:44.764
Prince the member of what church? Oh, he's Jehovah's Witness.

00:33:45.044 --> 00:33:46.324
Uh-huh. There you go. Two.

00:33:48.184 --> 00:33:53.404
Where is... Okay. We got some good ones here. We got some really good ones.

00:33:56.584 --> 00:34:03.424
Sorry. There's just so many good ones here. can you name the song that Prince

00:34:03.424 --> 00:34:05.284
wrote for Sinead O'Connor?

00:34:05.704 --> 00:34:08.604
Nothing compares to you. There you go. Okay. And originally,

00:34:08.684 --> 00:34:14.884
before even it was on that, it was on one of his groups on Paisley Park, The Family.

00:34:15.144 --> 00:34:18.524
That was the first time it ever came out. Really? Yeah. Okay, okay.

00:34:18.984 --> 00:34:22.024
You got three years. That's three years so far? So let's see.

00:34:22.444 --> 00:34:29.464
Can you name the total wins of Grammys that Prince has gotten?

00:34:29.624 --> 00:34:31.864
Definitely. It's not as high as you think it is, though. Okay.

00:34:32.824 --> 00:34:36.844
I'm going to go lucky number seven. That is correct. No way. Yeah.

00:34:38.904 --> 00:34:42.284
That is correct. He won a total of seven wins, but he was nominated for 38.

00:34:43.730 --> 00:34:48.770
Damn. Look at you. I want that right now. All right. We got one more.

00:34:48.890 --> 00:34:53.970
This is the one. If you get this right, a listener will win a special gift from the Uncle Dad vault.

00:34:54.950 --> 00:35:06.530
Are you ready? Name the filmmaker that made a unreleased Jehovah Witness documentary for Prince that will,

00:35:06.590 --> 00:35:11.110
to this day, has never been seen by anybody. I know, though. I'll give you a hint.

00:35:11.730 --> 00:35:19.290
He's a very famous director who makes movies for stoners oh wait a minute um,

00:35:20.290 --> 00:35:25.730
oh man i'll forget his name not blunt man or would that be technically chronic,

00:35:26.370 --> 00:35:30.570
you gotta give him the name not the oh man i can't oh damn i can't think of

00:35:30.570 --> 00:35:35.150
his name off the hand are you really gonna you're really gonna break into people's heart like that.

00:35:36.630 --> 00:35:39.550
Three two one the answer is

00:35:39.550 --> 00:35:42.450
kevin smith dude but that was him no but

00:35:42.450 --> 00:35:45.290
you didn't say it you didn't say technically it was him no but you didn't

00:35:45.290 --> 00:35:48.130
say it you didn't say it i already gave you do

00:35:48.130 --> 00:35:50.870
i put it on the fucking shelf for you and you still didn't grab it so

00:35:50.870 --> 00:35:53.730
there you go it was him though i just forgot his name but

00:35:53.730 --> 00:35:57.330
i know he was like blunt man and chronic man dude listener you

00:35:57.330 --> 00:36:00.910
didn't win again sorry guys damn but that's

00:36:00.910 --> 00:36:03.950
okay because you guys got a dope mix for free so went better that's a

00:36:03.950 --> 00:36:07.150
good prize in return so let's continue your career we got

00:36:07.150 --> 00:36:10.390
the young days kind of out of the way let's talk about the modern era so

00:36:10.390 --> 00:36:13.250
you know one of the things that we discovered that you and i knew

00:36:13.250 --> 00:36:16.090
a lot of the same people from i guess the more like

00:36:16.090 --> 00:36:18.090
when i started getting into that music you know you would have been a little

00:36:18.090 --> 00:36:22.330
bit older at that time so at what point does it shift where you start doing

00:36:22.330 --> 00:36:28.170
these bigger events and bigger shows for you oh man that was actually probably

00:36:28.170 --> 00:36:31.910
i mean i've been playing consistently you know in smaller clubs like through

00:36:31.910 --> 00:36:35.010
city the City and like around here but like,

00:36:35.719 --> 00:36:42.199
It probably was, oh, my God, almost 15 years ago. Like, I started playing out in Portland.

00:36:43.219 --> 00:36:46.819
And this is, so it's almost the same time that I started doing my radio show.

00:36:46.899 --> 00:36:49.359
Because I would technically be doing it for, like, 15, 16 years.

00:36:49.459 --> 00:36:53.379
But on the airwaves as a whole, I've been on there for about 18 years.

00:36:53.599 --> 00:37:00.599
So I started playing on the, whatchamacallit, on the solstice marathons that KZSU used to throw.

00:37:00.979 --> 00:37:05.199
And at that time, I was working at Solo Grooves doing the house bind and met a friend.

00:37:05.719 --> 00:37:09.179
And he was like, you know, you ever play on there? I was like,

00:37:09.219 --> 00:37:10.939
no. He's like, what? So he got me booked.

00:37:11.299 --> 00:37:16.339
And from there, I became like a fixture on KDSU, eventually got my own show.

00:37:16.559 --> 00:37:20.659
And then, yeah, I had like, you know, once Facebook was going on,

00:37:20.739 --> 00:37:25.059
then, you know, the house community, it's big, but it's small, you know?

00:37:26.199 --> 00:37:30.059
Especially at that time, right? Because now I would argue it's huge now, but back then.

00:37:30.559 --> 00:37:33.779
Yeah, it was definitely. I mean, like you had your known folks.

00:37:33.819 --> 00:37:36.719
And yeah, it's definitely spread out. you got these people just popping

00:37:36.719 --> 00:37:39.439
up left and right you know make a track here and then all of a sudden

00:37:39.439 --> 00:37:43.399
they're relevant you know release for until they fall off and such

00:37:43.399 --> 00:37:46.599
as music though right yeah you know but it's crazy

00:37:46.599 --> 00:37:50.359
because you know it's like and not to diss on anyone but there's a lot of like

00:37:50.359 --> 00:37:54.559
bedroom djs and even bedroom producers right and like but they get booked because

00:37:54.559 --> 00:37:59.299
they have like one hit left out you know but then no one ever actually listens

00:37:59.299 --> 00:38:02.319
if they can mix and then they book them because they had a hot track and uh

00:38:02.319 --> 00:38:05.279
i mean look i'll tell you this

00:38:05.719 --> 00:38:08.639
i'll tell you this man jokes on us because i'll tell you i'll take a hot track

00:38:08.639 --> 00:38:12.179
and get paid millions of dollars to do some bullshit oh no i mean no i ain't

00:38:12.179 --> 00:38:15.499
hating on it over like you know that's your hustle whatever but it's like i'm

00:38:15.499 --> 00:38:20.599
talking about longevity here you know sure but um but yeah no like it's crazy

00:38:20.599 --> 00:38:24.099
because yeah these cats started booking me my buddy richie stacks out

00:38:24.179 --> 00:38:28.959
there and there used to be a dope like little underground spot and from there

00:38:28.959 --> 00:38:32.719
like they kind of opened the doors for me in a lot of ways because i mean once

00:38:32.719 --> 00:38:37.319
i went there i the doors just you know the the family just kept on you know

00:38:37.319 --> 00:38:40.579
circles kept on growing and everything and then from there like,

00:38:41.059 --> 00:38:44.979
got me kind of in my foot to like work in seattle because like it's funny i

00:38:44.979 --> 00:38:49.919
don't play out here that often but whatever the northwest loves me and and like

00:38:49.919 --> 00:38:54.799
my buddy joshua marquette oh my god Well, Joshua Marquez, that's another cat.

00:38:55.319 --> 00:38:58.599
On a side note, he used to be my old roommate. If you don't know him,

00:38:58.719 --> 00:39:02.819
he used to be part of a band called Unique, U-N-E-A-Q, from San Jose.

00:39:03.099 --> 00:39:10.559
It was him, Andy Lozano, and his sister would sing. And they had stuff on like

00:39:10.559 --> 00:39:15.599
Mushroom Jazz, and what was it called, like Ohm Records and everything.

00:39:15.859 --> 00:39:18.939
And me and him have been actually making tracks, even though I haven't put nothing out yet.

00:39:19.659 --> 00:39:22.519
It's being able to play those tracks and kind of spread them out have actually

00:39:22.519 --> 00:39:24.639
helped me get some bigger things too.

00:39:24.819 --> 00:39:30.999
But yeah, man, it wasn't until Joshua Islow, like Joshua Michaels from San Jose,

00:39:31.119 --> 00:39:33.179
that really kind of put his...

00:39:34.431 --> 00:39:40.571
I don't know. He shoved my way into a spot in Seattle called Flammable Sundays.

00:39:41.411 --> 00:39:47.371
That spot is if you're a real house head, it's like church, and it's like a

00:39:47.371 --> 00:39:50.151
bucket list of any house DJ.

00:39:50.751 --> 00:39:54.771
I don't know. They've been doing it for 27 years or something like that now. Wow.

00:39:55.851 --> 00:40:00.311
And yeah, man, he got me a gig to open up for him because I've been trying to get in there forever,

00:40:00.311 --> 00:40:03.251
but so many people hit them up and i don't think they even listened

00:40:03.251 --> 00:40:06.711
to my messages at that time like even opened them up but like we

00:40:06.711 --> 00:40:09.551
became friends and like he was playing a gig i was like hey

00:40:09.551 --> 00:40:12.211
like you think you can get me in there kidding not kidding and he's like let

00:40:12.211 --> 00:40:15.551
me see what i can do but once that happened man like it really opened a lot

00:40:15.551 --> 00:40:19.591
of doors because then after that i got to play like south by southwest like

00:40:19.591 --> 00:40:25.131
in austin like and and yeah and things yeah around here it's a it's a little

00:40:25.131 --> 00:40:28.571
different you know like but there's a lot of competition out here oh yeah you

00:40:28.571 --> 00:40:31.011
know It's like, I'm old now, man.

00:40:31.111 --> 00:40:35.251
No, it's crazy because it's a different thing.

00:40:35.451 --> 00:40:41.651
Nowadays, back in the days, I had 10 different places I could stay in the city.

00:40:42.211 --> 00:40:46.691
And also being young and on drugs and everything else, I was staying up all

00:40:46.691 --> 00:40:48.331
night. I'm not doing that anymore.

00:40:48.711 --> 00:40:53.931
And driving back from San Francisco to San Jose at 4, 6 a.m.

00:40:53.931 --> 00:40:58.431
With my head sticking out the window just to stay up, it's not the business anymore.

00:40:58.791 --> 00:41:01.091
I definitely know those days, man, where you're like, oh, fuck,

00:41:01.211 --> 00:41:03.631
let's, you got to do the Joker when you're driving.

00:41:03.991 --> 00:41:06.931
Yeah, you know, and it's like, and it sucks because it's not like I don't want

00:41:06.931 --> 00:41:09.971
to support anybody. Like, I mean, I, you know, love seeing my friends play.

00:41:10.071 --> 00:41:14.091
I love, you know, supporting all of them. But it's like, now I got to spend

00:41:14.091 --> 00:41:17.931
$200 for a hotel if I'm like, you know, I want to go out and go see my homies.

00:41:18.651 --> 00:41:21.891
Well, just the cost of everything is expensive. And also, like,

00:41:21.951 --> 00:41:24.931
it is one of those things, too, like you were saying, like, if we get older,

00:41:25.111 --> 00:41:28.091
right, your body gets older, it's harder to stay up.

00:41:28.091 --> 00:41:31.191
You know you're not doing the fun things that you would do like you

00:41:31.191 --> 00:41:34.191
know it's different right and there's nothing wrong with that but i think that's the

00:41:34.191 --> 00:41:37.131
beauty of where we are and in this world because

00:41:37.131 --> 00:41:39.911
now we have like things like twitch you know you've done it you did a

00:41:39.911 --> 00:41:42.731
show recently on twitch right yeah like a couple of my friends do

00:41:42.731 --> 00:41:45.551
their thing on there i don't know why i haven't like jumped on it

00:41:45.551 --> 00:41:48.411
like but yeah like my friends they do like every

00:41:48.411 --> 00:41:54.471
other thursday pork and beats my buddy joshua josh hausa and notorious pig and

00:41:54.471 --> 00:42:00.711
then my buddy cj larson he just recently moved out to Chicago but man that that

00:42:00.711 --> 00:42:08.151
boy like CJ what's up man like his spot like when he was still in the city like in Daly City man like.

00:42:08.956 --> 00:42:12.236
He every one set up i've ever seen it just clowns like

00:42:12.236 --> 00:42:15.096
he he's doing it right how happy

00:42:15.096 --> 00:42:17.996
for him he's out back in chicago he does a show on monday nights

00:42:17.996 --> 00:42:21.376
and he's actually been kind of picking up things here and there like he just

00:42:21.376 --> 00:42:25.076
did like a saturday morning thing for viva because that's one cool thing you

00:42:25.076 --> 00:42:28.696
know people that do like their regular shows they can kind of like you know

00:42:28.696 --> 00:42:32.556
pawn it off to like somebody else to like fill in or you know be part of them

00:42:32.556 --> 00:42:37.716
but they can do it via their house rather than having to go travel and you know whatever so So yeah,

00:42:37.836 --> 00:42:39.596
no, that, like that part's actually kind of cool.

00:42:39.996 --> 00:42:42.976
You're connected always, right? Like there's always a way to see people support

00:42:42.976 --> 00:42:44.116
in different ways now. Right.

00:42:44.856 --> 00:42:47.196
So, you know, we are going to wrap up soon, but I know you got,

00:42:47.196 --> 00:42:49.176
so you have a gig coming up that we want to talk about.

00:42:49.936 --> 00:42:53.396
You don't really do too many gigs anymore, but this is one of your bigger ones

00:42:53.396 --> 00:42:54.976
of, of late, I guess you would say.

00:42:55.436 --> 00:42:58.976
Yeah. Yeah. I mean, like I said, yeah. I mean, I'm not playing that much now

00:42:58.976 --> 00:43:02.356
that like, I actually have my own equipment because I've had CDJs,

00:43:02.376 --> 00:43:05.636
but like thousands. So if you know that, I don't know how many of you are burning

00:43:05.636 --> 00:43:09.496
CDs anymore, but I know it's a pain and I don't blame you because I don't do

00:43:09.496 --> 00:43:10.396
it even though I had them.

00:43:10.456 --> 00:43:14.416
But yeah, no, I'm going to start doing my own thing pretty soon.

00:43:14.596 --> 00:43:17.676
I got like a couple of friends I've been talking to and, you know,

00:43:17.716 --> 00:43:22.576
I bought some QSC speakers and some, you know, some, yeah, I bought some CJs

00:43:22.576 --> 00:43:25.436
like two weeks ago. So, you know, that's part of the thing too.

00:43:25.516 --> 00:43:29.816
It's like, you know, like having your own equipment, you kind of have to like involve people.

00:43:29.916 --> 00:43:32.836
Sometimes you don't want to involve, you know, and not that you don't like them

00:43:32.836 --> 00:43:36.496
or anything, but like people feel very entitled if you're using their equipment

00:43:36.496 --> 00:43:37.896
that, okay, well, I got to play too.

00:43:38.056 --> 00:43:40.256
And you're involving people you don't really want to. So now it's like,

00:43:40.316 --> 00:43:42.356
I'm going to do my own thing. Sure.

00:43:42.756 --> 00:43:47.236
Which then leads us into your Halloween event, right? Are you headlining or

00:43:47.236 --> 00:43:49.276
no? Yeah. Okay. So where is this at?

00:43:49.656 --> 00:43:54.096
When is it? And where can our audience buy tickets? it's Nevada City at the Fern.

00:43:54.276 --> 00:44:00.116
My boy, Jesse James, he's a cat that's been in the Sacramento scene for God,

00:44:00.176 --> 00:44:01.876
ages, man. Like he's a good cat.

00:44:02.016 --> 00:44:05.936
And I mean, the scene has been like always thriving, but he was definitely a

00:44:05.936 --> 00:44:08.416
staple in there to like help get it to where it is now.

00:44:08.876 --> 00:44:11.296
Him and his girl recently got a place out there in Nevada City.

00:44:11.416 --> 00:44:14.496
So they're trying to, you know, move the scene up there and do some stuff.

00:44:14.876 --> 00:44:18.216
So yeah, I haven't played for him a while for a while, so I'm really excited.

00:44:18.436 --> 00:44:20.256
That's going to be on October 19th.

00:44:20.676 --> 00:44:26.496
Yeah, again, at the Fern in Nevada City with Jesse James, Aunt Jackie, and Mr. Anderson.

00:44:26.776 --> 00:44:29.956
I've never played with them. I've heard a lot of good things about them, though, so...

00:44:30.894 --> 00:44:35.254
Yeah, and it's a costume party too. So, yeah, probably going to see a lot of

00:44:35.254 --> 00:44:36.494
my old Sacramento friends.

00:44:36.714 --> 00:44:41.574
And I haven't seen most of them besides Jesse since before COVID. Oh, wow. Yeah.

00:44:42.034 --> 00:44:44.034
Less than a region. Is there a cost to get in?

00:44:45.514 --> 00:44:51.034
Do we have that information? Yeah, we do. And it is, no, no,

00:44:51.034 --> 00:44:53.134
I don't see nothing. So, it looks like it's free.

00:44:53.574 --> 00:44:55.934
Okay. Well, let's say tentatively. $5 cover. $5?

00:44:56.534 --> 00:45:01.374
Yeah, $5 cover, 9 p.m. to 2 a.m. Five bucks, 9 p.m. to 2 a.m.

00:45:01.414 --> 00:45:04.834
You go there and you mention Uncle Dad, I'll buy you a drink, though.

00:45:04.974 --> 00:45:07.854
I hope that's true. No, I will stick to that. Okay.

00:45:08.074 --> 00:45:11.314
Yeah, so go to the show, tell Uncle Dad sent you, say, hey, Drew,

00:45:11.454 --> 00:45:12.894
I know Uncle Dad, he's a bitch.

00:45:14.034 --> 00:45:17.074
And he'll get you two shots. No, no, he won't do that, but he'll get you a beer

00:45:17.074 --> 00:45:21.674
at least. No, they got to say Uncle Dad gives good foot massages. No.

00:45:23.734 --> 00:45:26.374
You know what I'm going to do right there? I'm going to bleep that so they'll

00:45:26.374 --> 00:45:28.094
have no idea what you said.

00:45:29.274 --> 00:45:33.874
That'll make it better oh yeah then they can like wonder exactly exactly what did i really say,

00:45:34.874 --> 00:45:37.774
drew it's always a good time hanging out with you man really thank you for bringing

00:45:37.774 --> 00:45:41.494
that mix that was a lot of fun i guess is there anything else you want to like

00:45:41.494 --> 00:45:44.774
shoot out shout out there anything else you want to promote or do you just want

00:45:44.774 --> 00:45:45.834
to tell them how to connect with you.

00:45:46.894 --> 00:45:49.694
Yeah like yeah just feel free to follow me on

00:45:49.694 --> 00:45:53.054
instagram that's like what i'm on there the most i'm trying

00:45:53.054 --> 00:45:56.154
to do some more things like especially getting more mixes

00:45:56.154 --> 00:45:59.314
out there now i just bought myself a recorder two days ago so

00:45:59.314 --> 00:46:01.994
now i have my cdjs and then the turntables hooked up and

00:46:01.994 --> 00:46:07.274
a new mixer i'm gonna start pounding out stuff so there's tons of stuff on like

00:46:07.274 --> 00:46:13.034
soundcloud also oh man what's the other one mix mix cloud yes yeah you could

00:46:13.034 --> 00:46:18.674
just type up drew deep two words d-r-u-d-e-e-p and yeah we're gonna start i'm

00:46:18.674 --> 00:46:20.414
gonna start also putting up some of the old shows,

00:46:20.914 --> 00:46:25.174
from the loop that's yeah that's the name of my show i don't think i've said

00:46:25.174 --> 00:46:28.454
that but yeah it's It's called The Loop Mondays, noon to 3 p.m.

00:46:28.554 --> 00:46:33.494
At least for this semester, it kind of ranges, you know, depending after reapply,

00:46:33.514 --> 00:46:36.754
even though I've been there for like 16 years or so, like you still got to apply

00:46:36.754 --> 00:46:42.154
every, you know, semester and, you know, sometimes they move me around, but yeah, I'll be there.

00:46:42.554 --> 00:46:45.474
Awesome, man. Yeah. Go check him out. He's a good, he's a good local guy.

00:46:45.554 --> 00:46:47.794
You know, I think, and this is what I'm trying to do with this show.

00:46:48.014 --> 00:46:51.234
You know, Drew, you said you listened to the last episode and with Laser Tears,

00:46:51.254 --> 00:46:54.614
you know, it's, it's all, all ranges, all ranges, all people,

00:46:54.634 --> 00:46:57.314
all walks of life. It's the same concept as Uncle Dad Talks,

00:46:57.314 --> 00:46:59.534
but we're bringing it into the world of DJing.

00:46:59.554 --> 00:47:02.634
Because I feel like there's so many great DJs out there that don't get enough

00:47:02.634 --> 00:47:04.654
love and respect and just hear their stories.

00:47:04.774 --> 00:47:07.034
And your journey is different than everybody's, right?

00:47:07.414 --> 00:47:09.934
Laser Tears' journey was different. Everybody's journey is different.

00:47:10.174 --> 00:47:14.494
And so I'm just very excited to keep this show going. And thank you for being a part of number two.

00:47:15.663 --> 00:47:22.023
Uncle Dad's Mix and Mingle. So please go follow him. And I guess without further ado, what's up?

00:47:22.103 --> 00:47:25.743
I just thought right now, because we're talking about my first partner thing.

00:47:25.923 --> 00:47:32.143
So yeah, it's been 30 years last month that I've been DJing. Wow.

00:47:32.903 --> 00:47:37.483
Damn. So we're celebrating the 30th anniversary of you then. Yeah, that's nuts.

00:47:37.863 --> 00:47:40.203
I mean, actually, so you know what? Let's rephrase this episode.

00:47:40.563 --> 00:47:44.503
It's Uncle Dad's Mix and Mingle, the celebration of 30 years of Drew Deep.

00:47:44.683 --> 00:47:46.603
Yeah. Everybody take care. We'll see you all.